Original research article
Acta Albaruthenica

Solo Concerts-Motets from the 'Vilnius Tablature' (1626– 1627) in the Context of the Church Service of the Baroque Era

2018, Issue 18

Hanna Kominch

Jagiellonian University in Cracow

Belarusian State Academy of Music

Publishing model

open access

License type

CC BY-NC-ND 3.0 PL

Field

Humanities

Discipline

history, culture and religion studies

Language of publication

Belarusian

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Abstract

The article reviews solo concerts-motets from the 'Vilnius Tablature'. Turning to various sources (from the legacy of theorists of the 18th century to the works of modern researchers), which offer an interpretation of this genre, as well as thinking about poetic texts and the specificity of the musical style of the solo concerts-motets of the Baroque era, the author tries to determine the potential status and function of vocal works from the “Vilnius Tablature” in the sphere of public worship.